Natural born hunters

A reportage by Nicolás Marino. The images can be licensed exclusively with mauritius images. Go to images.

For larger image selections we offer attractive package prices. Of course, you can also license single images. If you are interested, please contact your customer service representative (Contact) or get in touch with our sales team:

Phone: +49 8823 42-0 | Email: sales@mauritius-images.com.

On request, we are also glad to provide the unabridged reportage.

With the Bayaka into the jungle

It's 6:30 a.m. The first rays of sunlight filter through the trees, painting tiny little dots of golden light on the dense vegetation of the jungle. The air is humid but still retains the freshness released by the plants during the night. The women gather in a group preparing their nets and baskets, while a few youngsters prepare their spears. Meanwhile, children play between them until the adults announce the moment of departure. Today is hunting day, the day when the Bayaka travel deep into the rainforest in search of edible plants, fruits and animals to stock up on food.

The walk begins in one of the many trails around the village. Aligned in a row, almost with the perfect synchronization of an army, marching without respite and with the heavy baskets on their backs, it is the women who are leading this squad. They are the ones that order, guide and teach the youngest to move around and survive in this jungle. Guided by an ancestral wisdom, they advance through jungle spaces so dense that at first glance, they seem impenetrable for anyone who comes from the urban world. The thick crust of the sole of their feet and their fleeting agility allow them to ignore everything that lies on the ground of the forest, including spiders, scorpions and, even more remarkably, the successive colonies of legionary ants with their jaws capable of devouring a whole animal.

Three hours at a fast pace through increasingly narrow interstices go by, advancing almost uninterruptedly, always in line. All the way, the Bayaka do not stop talking. From one end of the line to the other, some ask questions, others comment and others respond and every so often they laugh out loud, but the march rarely stops. Obviously, I do not understand anything of what they say, but it is not always necessary to understand a language to perceive when the energy is positive, and these women emanate it and pass it on to others. Their voices echo in the amphitheatre of this thick jungle and stand out on top of the omnipresent, deafening bustle that surrounds us with millions of bugs and birds buzzing incessantly.

So we continue until, at one point, by some event that I fail to recognize, the march stops altogether. A brief moment of silence follows. Until suddenly, everybody breaks row and with an overwhelming agility disappear in different parts of the jungle. They position themselves forming an imaginary big circle around a sector where someone suspects that there is a hidden animal. Some of the women quickly unload their nets and begin to deploy them through impossible spaces with surprising ease. Others stand on guard in an ambush fashion and the young guys arm themselves with their spears ready to attack. Meanwhile, each and every one of them produces a series of onomatopoeias with which they try to emulate animal sounds. These rumble in the jungle and its purpose is to intimidate the animal that is hidden to scare it out of its lair and have him run inadvertently towards the nets that are waiting to catch it.

10 to 15 minutes go by, but nothing happens. Finally, they abort the operation, and with the same ease with which they have mounted them, they now dismantle the nets and fold them back in the baskets to continue walking. Meanwhile, children set up snares with leaves, vines and branches. They will leave them ready to catch prey until they come back. The children are the ones who take me through recondite spaces, showing me the traps they had left on previous expeditions. They are completely invisible to my eyes. One by one, they check them to see if any animal has fallen in them since then, but there has been no luck either. They are all empty.

However, what overwhelms me the most is not the ingenuity with which these traps are put together, but the fact that, in this space without any sort of coordinates, signs, or indications, they can find them! I do not have the faintest idea where I'm standing, nor in what direction have we moved to get where we are so far. I look around and everything is the same impenetrable entanglement of branches, vines and leaves of all sizes and gigantic trees, through which, up there at the canopy, perhaps 40 or 50 meters above, I can see small spaces of blue sky and incandescent sun. They, on the other hand, move with the absolute certainty of anyone who knows exactly where he is, where he is going and how.

In this impenetrable labyrinth, my size feels completely inadequate. My skills to move are reduced to the point of uselessness. My agility is nonexistent and my clumsiness is absolute. I trip over everything, I fall, I get tangled, I hit my head against the branches above me and from the waist down, the vines, like sharp saws, tear my skin like a hot knife cutting through butter. At times, I get trapped and I must come to a full stop to unlock myself while my skin burns like fire. I, with all my physical training, cannot keep up with the Bayaka. My mental speed to interpret and solve this intricate environment is not fast enough to walk at this pace. On the other hand, the Bayakas, with their tiny and muscular bodies, ultra-fast reflexes and five acute senses, seem to be designed to survive in this environment so hostile to any other person.

We are clearly in a sector of animal presence since the whole operation is repeated several times during the day. The modus operandi is the same: form a circle around the lair, deploy the nets, intimidate through the emulation of the sounds of the animals and stalk. It requires a lot of perseverance and patience, but the Bayaka seem not to bother at any time regardless of the result.

It is the middle of the day already, the heat is now brutal and the humidity disintegrates the body. The air is so dense and torrid that breathing is difficult. Finally, in one of the many attempts, an animal falls into one of the nets. It is a blue duiker, a small antelope inhabitant of this jungle. Trapped in the net, without any remorse, the Bayaka snap its neck and put it in a basket to go for more.

As we continue advancing through this impossible space, I can not stop dazzling myself seeing the Bayaka in action moving through it. They move nimbly walking on trunks, climbing the branches, hanging by the vines as perfect acrobats in this circus of entanglements. Where I see no more than a monotonous environment painted with millions of variations of colour green, they, with a visual acuity of absolute precision, are able to distinguish several meters away, those corners where the groups of edible leaves are found. In the same way, in this soft mattress of mud, branches and leaves where we walk on, where everything is indistinguishable for me, they find those non-poisonous mushrooms that have essential nutrients for their food. It is always the older women who teach the little ones with a lot of patience how to distinguish the good from the bad. The latter pay full attention and learn from what they see. In this way, they can transmit knowledge from generation to generation to continue surviving by taking advantage of everything the jungle provides them.

Once having stocked up with as many provisions as possible, one last ritual remains before the end of the day: the blessing of the nets. The women throw them on the ground and while standing before them, begin to chant, scream and spit on them for a few minutes. After this, it is time to go back home, it is mid-afternoon and the days in the tropics are short.

The way back to the village is just as long. During it, one can breathe the same air of positive energy, when the conversation and singing resume while making our way through the thick vegetation. Everyone is happy, it has been a very productive day. On the way home, we now stop at the streams of water, where the Bayaka stop to cool themselves. They fold large leaves turning them into cones to scoop water for drinking.

However, the most spectacular thing to me is to see the children throw themselves into the water and suddenly realise that from the erratic noise of their simple splashes, now full melodies emerge. They create them by the orchestrated blows of their palms against the surface of the water. Music made with water, I had seen it in documentaries and now right here live, in front of me. The children are playing it for me. It's so wonderful that it moves me. Not only because of the fantastic melodies that they create and their perfect synchronization but because of the deep enjoyment I see in them while doing it. If all the children in the world could enjoy as much as I see them enjoying this, then this world would be much better without a doubt.

It's the end of the afternoon and we are almost back in the village, but before we arrive, once I know my way back, I decide to let the Bayaka continue on their own while I stay behind a few minutes in the jungle. I sit by the stream with my feet in the water, and I reflect on what I have just experienced today.

Few times in my life I have found myself in situations in which I have not had any control over my location, and probably none in which I have lost all sense of orientation. I have spent a full day walking through this impenetrable jungle and throughout the day I have not been able to discern where I was, where I have walked to, in what direction, or what distance. If it were not for the Bayaka, had I been left there alone, I am certain that it would have been the end of my days.

What I also know is that my whole body hurts. I have cuts all over my skin, I feel fire in my ankles which I am now trying to mitigate by soaking my legs in the water. All of my muscles, other than the ones I use while cycling, are extremely sore. I had to make a huge effort to keep up with the Bayaka, while they moved around the jungle with the lightness of those who go out for a walk around their neighbourhood to walk theirs dogs.

But happiness overwhelms me, it has been one of the most extraordinary days of my life. One more chapter in this fairytale that I have gotten myself into. I need to pinch myself to believe what I am living. Now I'm all set to go back to the village and spend the rest of yet another incredible evening around this amazing people.

Rainforest nights

The nights in the jungle are always special. It's like when we go to a theatre and at the moment before starting the function they turn off the lights and everything is in absolute darkness. We, the spectators, at that moment fill ourselves with excitement and enthusiasm for what is to come. In the jungle, when the lights go out, not only is there no light but there is no silence either. The absence of visual stimuli makes the vibrations of the sounds of the nocturnal symphony of bugs around us stand out. It is so intense that it shakes the body. There is nothing to see, just listen. Meanwhile, the trees and plants contribute to the magic by releasing the oxygen that cools the usually torrid tropical air.

In the village, life continues normally during the night. The Bayaka gather since shortly before dark. Sitting here and there in groups, while organizing the fruits of the day's gathering, they gossip, talk and laugh. The women come and go with their baskets and the children help prepare the food. When night finally falls, the only light that remains is the faint light of those small fires where each family is gathered cooking.

Today we will eat the blue duiker that they hunted during the expedition of the day. We also have a lot of coco leaves (an edible leaf that has nothing to do with the coconut fruit), mushrooms, the omnipresent manioc and a surprise that I did not expect: a basket full of honeycombs overflowing with honey brought to us by neighbours.

All but the men contribute to the cooking. The children unscrupulously gut the little antelope. For them, it is only food and there is no connection whatsoever with that of a living being. The different pieces of the animal are distributed among several families, everything is shared. Sitting in the penumbra around an oil lamp, the women then remove the skin and cut the pieces of meat, peel garlic and other vegetables. Others prepares a casserole full of manioc and the sauce of coco leaves of a very dark green colour where the meat is stewed.

When the food is ready, we sit on the floor in the penumbra around a small oil lamp, which with its oscillating fire makes the shadows dance on the wooden walls of the small room and reveals different fragments of our faces and bodies, leaving the rest invisible. It could be the result of the hunger we all have after a long day in which we used up all of our energies, that we eat mostly in silence, with the sound of the jungle in the background. It is a magical moment.

After dinner comes the dessert, the most magnificent dessert I could have ever imagined. The Bayaka, especially women, are addicted to the sweetness of honey. The men obtain it directly from the hives located in holes within the trunks of the tree canopy. To get there they risk their lives, climbing up to 40 or 50 meters high with feet and hands and without harness of any kind, with a basket on their backs. From below, the children and the women who accompany them burn leaves to generate smoke that temporarily wards off the bees from the hive. When the man reaches the top, he is surrounded by a hellish swarm of irritated bees. Sitting on a branch with his feet hanging in the air 40 meters high, they sting him unscrupulously over and over again, while he puts his hand in the hive to extract large pieces of honeycomb dripping the irresistible golden nectar. Many Bayaka die every year as they fall from the treetops, but they do it for one reason only: their women. They get in a very bad mood when their men do not bring them honey. If this is not a sign of love (or fear) then what is it?

I have never been especially crazy about honey, until the day I tasted this honey, directly extracted from the honeycomb and understood what real honey is. Here we eat it directly by introducing the honeycomb in our mouth. When squeezed between the tongue and the palate, it melts with the softness of a paper, turning into a small roll when all the cloying honey floods our mouth with flavour. This delicacy is indescribable and when I express my absolute amazement as a result of what I'm feeling, someone tells me: - "And you know what's best? That a honeycomb never tastes the same, the taste changes all the time and it's always delicious". Something that I could I could prove by myself during the following days when tasting honey from different hives. Few things will be as hard for me to forget as the magical taste of this honey.

One more day has come to an end. The jungle overwhelms the stimuli. I go back to my mosquito net illuminating the dark trail with my headlamp and I lie down quietly because I know that the nocturnal melody will soon put me to sleep me like a baby.

I said at that the nights in the jungle are special. Each night is different, and each night is special. Every night is unexpected.

NICOLAS MARINO AT MAURITIUS IMAGES

Originally from Argentina, the architect and photographer travels the most remote regions of the world by bicycle. The portraiture of people in their environment and the dignified portrayal of human existence is one of his photographic focuses.

Take a look at the complete portfolio of Nicolas Marino.

Portfolio

ns · 18.01.2021